![]() (.) As the experienced master she is, expanded the scope of the score's extremes impressively. "The biggest win was on the part of the musical and acoustic contribution. "In the end unanimous applause, also for the Vienna Symphony with their exquisite woodwind soloists under the swift and effective direction of Julia Jones."ĭuring the evening, conductor Julia Jones develops a balanced and more and more three-dimensional interpretation with the Vienna Symphony. Lars Ole Bonde, Operamagasinet Ascolta Rigoletto "The Royal Danish Orchestra's playing was less overcomplicated with a delicate non-vibrato sound in the strings and an introverted wind section - clearly a conscious decision by conductor Julia Jones who really knows her Mozart." ![]() (.) The Requiem was delightful under Jones' leadership." "With an initially delicate grip on the orchestra, Jones swiftly moved right into the core of the symphony with increasing intensity and authority, leading the Royal Danish Orchestra to its climax in the Adagio and the subsequent Presto finale. This biography is for information only and should not be reproduced. Other notable engagements include Macbeth, Idomeneo and Otello in Hamburg, Così fan tutte at Oper Köln, L’elisir d’amore, A Midsummer Night’s Dream and Der fliegende Holländer at Opéra national du Rhin in Strasbourg, Madama Butterfly and Bluebeard’s Castle at Grand Théâtre de Bordeaux, Die Entführung aus dem Serail for Salzburg Festival, Aida at the Festival in Macerata, Lohengrin and Macbeth at Maggio Musicale Fiorentino, Die Zauberflöte at Seattle Opera, Der fliegende HolländerĪnd La traviata at Den Norske Opera, and productions at the Bayerische Staatsoper, Broucek, Die Fledermaus, Carmen, Fidelio and Così fan tutte at the Volksoper. In Vienna she made her mark with Die Zauberflöte, La Bohème and Così fan tutte at the Staatsoper, and with productions including Don Giovanni, The Adventures of Mr. She maintains close relationships with Oper Frankfurt, where she has acquired renown with operas including Falstaff, Idomeneo, Die Entführung aus dem Serail, Le nozze di Figaro, Così fan tutte and La Damnation de Faust and is a regular guest at Semperoper Dresden ( Die Entführung, Idomeneo, Die Zauberflöte).Īt Staatsoper unter den Linden Berlin she conducted Otello, Aida, La traviata, and Le nozze di Figaro. As Chief Conductor of Teatro Nacional de São Carlos in Lisbon and of the Orquestra Sinfónica Portuguesa (2008-2011) she conducted operas such as Carmen, Salome and Katya Kabanova as well as a diverse and far ranging symphonic repertoire, stretching from the Baroque period to contemporary music. ![]() Previously, she was Chief Conductor at Theater Basel (1998-2002) particularly memorable productions from this period include La Traviata, Otello, Lohengrin, Der Rosenkavalier and Eugene Onegin. She is General Music Director of the Wuppertaler Bühnen und Sinfonieorchester. The Guardian speaks of “searing intensity” and Deutschlandradio Kultur highlights the “great lightness and clarity” of her Mozart. British conductor Julia Jones is renowned for the crispness of her interpretations, and the sensitivity of her conducting is echoed in countless reviews.
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