But some producers, like Chris Lord-Alge, swear by them for the “the sound.”Īnother thing to watch out for is that these units add saturation which changes the “weight” of the sound with wee bits of distortion overtones (and some undertones too). Merciless attack times, the ability to really crunch those pop vocals. Some like the CLA-76 for vocals for that very same reason. Great for drums as you can really flatten them to add thickness, edge and size.Īnd for vocals? Depends on who you are. Sounds dull, I know, but in-practice they can be great.ĬLA-76 has a pretty fast Attack, meaning there isn’t too much time between a loud transient arriving and the compression goblins leaping into action. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. People still pay big coin for hardware versions of these things for “modern” recordings.įeature wise, these units don’t have a lot on offer. The CLA-76 comes in two guises (blue & black) and both are emulations of versions of a classic 60’s Compressor/Limiter. Nowadays if you catch them on sale they are cheap as chips. ![]() Their plugins used to be really expensive. Waves have been around for a very long time and for much of it as the top name in the game. It is part of your “sound.” Demonstration If this is the path for you then close your doors to the world and make this the only device you use for everything. That said, it’s good to give up some control, especially if you know there were some experts at the wheel behind this thing, and the results are often solid. The only downside to nitpick at is that if you’re a control freak you can also find it frustrating, since you can’t so much “control” this unit but rather “guide” it like an air traffic controller guiding a Boeing 747 onto land. This is character processing at its best, and if the unit sounds good then you can’t beat it. You tend to start out wiggling the vaguely labelled knobs and suddenly something great appears in the murk. Over time you can get a sense of what is going on. Changing one knob is like changing five knobs on a “clean” compressor. Add 2db of Gain and suddenly your sound is different. It is all about the secret DSP sauce of how nothing is really linear. The optical method is prone to being softer and gentler to vocals, while still being able to lay down the law when necessary. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget.įeature wise it’s a lot like the popular CLA 2A from Waves that we mention below, but the source unit has a unique behavior that made them a top choice. Softube is a great name in the industry and this otpo-style compressor has many, many fans. Music Production Nerds is supported by readers like you! If you buy something through our affiliate links, we may earn a small commission at no expense to you.Īs each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there…Īll of which were researched and recommended by the best.ĮQ Plugins for Vocals, Top Waves Audio Plugins, Tape Emulation Plugins, Vocal Microphonesīest Compressor VST for Vocals Softube Tube-Tech CL-1B Price & Demos Plugin Boutique Quick answer: Softube Tube-Tech CL 1B is the favorite, but if you’re looking for something less costly, take a look at the FabFilter Pro-C2 as perhaps the most popular option out there. Let’s get your vocals under control with the best compressor VST for vocals.
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